AHDS Guides to Good Practice
 

Creating Digital Audio Resources
A Guide to Good Practice

 
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Advice
 Guides to Good Practice
  1. Overview
  2. Working with Copyright
  3. Digitising audio: an outline
  4. Playing back audio media
  5. Computers for audio
  6. Other resources: skills and time
  7. Creating the digital audio files: a step-by-step guide
  8. Documenting digital audio resources
  9. Presentation and delivery
  10. Preservation
  11. APPENDIX A: Case studies
  12. APPENDIX B: Glossary
  13. APPENDIX C: Bibliography
 Performing Arts Data Service
Guide to Good Practice
Creating Digital Audio Resources

APPENDIX B

Glossary

This is a glossary of common technical terms used in this guide.

AES/EBU - A digital audio signal standard, used for transmitting digital audio between devices. (developed jointly by the Audio Engineering Society and European Broadcasting Union)

AIFF - Common sound file format (Audio Interchange File Format)

Analogue - A continuously varying audio signal (in the form of an electrical voltage), as opposed to a digital signal.

analogue to digital converter - Electronic device that converts continuously varying signals to a stream of numbers.

attack transients - Short-lived high frequencies that occur at the onset of many types of sounds.

audio input - A socket or connector on a computer or piece of audio equipment which accepts a sound signal.

bits - 'binary digits': the ones and zeroes computers use to store numbers.

bit width - The number of bits, or binary digits, used to store each individual sound sample.

break-out box - A box that connects to a computer's audio hardware to give a more rugged set of connections than those found on the hardware itself.

Capture - Another term for recording

CD-ROM - Compact disk read-only-memory - CDs used to store data that cannot be overwritten. Writable CD-ROMs can be overwritten several times.

compression - Can mean either: data compression, where some existing data (such as a sound file) is reduced in size (such as in mpeg3 files); or audio compression, where the dynamic range of a sound signal is reduced.

Copyright - The right of a creator of a work to control its copying and dissemination.

cylinder - Phonograph cylinders - the earliest form of audio recording, where the cylinder surface is indented by a vibrating needle.

DAT - Digital Audio Tape - a common digital recording medium.

dbx - A type of noise reduction used by some analogue magnetic tape machines.

decibels - A ratio of the power of sound signals; a power ratio of 2:1 is equivalent to 3 decibels (3dB). The decibel can also be used to measure 'sound pressure level': the loudness of sounds.

decoding - Playing back a magnetic tape recording through a noise reduction system. The recording needs to have been encoded with noise reduction first.

digital to analogue - The process of converting a stream of numbers into a continuously varying signal.

Digitisation - The process of converting analogue information into digital form.

distortion - Clicks, buzzing or other noise that results from a sound being recorded at too high a signal level.

Dolby - Dolby Laboratories: the company that developed Dolby Noise Reduction for magnetic audio media.

download - Copying a data file from the internet onto a local computer.

encoding - Recording a sound onto magnetic tape through a noise reduction system, so as to reduce background hiss on playback.

EP - 'Extended Play': the 7-inch 45 rpm vinyl record format introduced by RCA Victor in 1949.

extraction - The process of digitally transferring audio tracks from a CD direct to a computer's hard disk.

gramophone - The first lateral disk-based system for recording sound, developed by Emile Berliner in 1887.

hard disk - Device inside a computer used for long term mass storage of data.

Hertz - Cycles per second, the measure of frequency.

infringement - Illegal copying of material in which resides copyright.

input monitor - A setting in audio hardware allowing signals which are being recorded to be monitored at the same time.

internet - The global computer network, allowing email to be sent anywhere in the world, and which hosts the 'world wide web'.

intranet - A local or private computer network.

line output - The connection on audio equipment from which an analogue sound signal comes.

LP - 'Long Play': the 12-inch 33 rpm vinyl record format introduced by Columbia in 1948.

magnetic tape - Plastic tape coated with magnetic material used for sound recording.

megabyte - One million 'bytes', the measurement of computer data storage.

MIDI - A simple data transfer system that allows computers to communicate with synthesisers, music keyboards to communicate with computers etc.

mini-jacks - A type of small audio connector, common on low to mid range PC soundcards.

mix - A 'mix' of sounds; for instance, a film soundtrack is usually a mix of dialogue, background sounds and music.

mixing console - A device used for mixing and balancing audio signals, found in music studios.

modem - A device allowing a computer to connect to the internet via telephone lines.

monitoring - Listening; usually the term is used when recording a sound.

motherboard - The main circuit board of a computer.

mp3 - 'Mpeg3', a type of compressed audio file. Actually a sound file which uses MPEG 1 Layer III encoding.

MPEG - Motion Picture Experts Group.

multitrack - Recording formats which allow several independent sound signals to be recorded onto the same medium simultaneously.

Noise reduction - Systems for reducing background hiss in magnetic tape recording.

Open reel - Common magnetic tape recording format, where tape is wound onto spools or reels.

operating system - The main programme of a computer that deals with its basic housekeeping tasks.

phonograph - The first sound recording device, using tin foil-coated, then wax, then shellac cylinders. Invented in 1877 by Thomas Edison.

processor - Either: a device for changing a sound in some way (as in 'effects processor'), or the calculating device at the heart of a computer (Central Processing Unit).

RAM - Random Access Memory: temporary storage space inside a computer

RCA phono - A type of audio connector, common in hi-fi and some studio equipment.

records - Vinyl disks developed in the late 1940s for commercial dissemination of recorded music.

resolution - The accuracy at which sound is sampled or digitised.

sample resolution - The number of bits, or binary digits, used to store each individual sound sample.

sample width - The number of bits, or binary digits, used to store each individual sound sample.

sampling - The process of converting a sound signal into numbers or 'samples'.

sampling rate - The rate at which a sound is converted into numbers, in Hertz.

server - A computer on a network which serves out information to other computers.

signal-to-noise ratio - A measurement indicating the quality of audio electronic circuits: a high signal-to-noise ratio is good. Measured in decibels.

sound editor - A programme used for editing sound once digitised.

soundcard - The audio hardware inside a computer.

soundfile - A computer file containing sound data: the same as an audio file.

S/PDIF - The Sony/Philips Digital Interface, used for transmitting digital sound signals between equipment.

streaming - The process of sending and receiving audio or video over the internet in 'real-time'.

WAV - Microsoft sound file format.

XLR - A type of audio connector, common in studios and professional audio equipment.

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The right of Nick Fells, Pauline Donachy and Catherine Owen to be identified as the Authors of this Work has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988.
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Pauline Donachy is a member of the MusicWeb Consortium.

 
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